La rose de Paris

A Garland of Telemann’s Paris Quartets,
Blavet’s Duets and Ficher’s “Flowery” Passacaglia

Monday 27. 07. 2020 | 18.00 Troja Château
U Trojského zámku 1, Prague 7

Artists

Collegium Marianum
Lenka Torgersen – baroque violin
Vojtěch Semerád – baroque violin
Hana Fleková – viola da gamba
Jana Semerádová – flauto traverso
Filip Hrubý – harpsichord

Programme

Georg Philipp Telemann (1681–1767)

Paris Quartet No. 4 in B minor

Paris Quartet No. 6 in E minor

 

Jean-Féry Rebel (1666–1747)

Musette & Rigaudon; Passepied, Bourrée & Rigaudon

(from Les Plasiris champêtre)

 

Johann Caspar Ferdinand Fischer (1656–1746)

Passacaille (from Musicalisches Blümen-büschlein)

 

Marin Marais (1656–1728)

La sonnerie de Sainte Geneviève du Mont de Paris

 

Michel Blavet (1700–1768) / Jean-Philippe Rameau (1683–1764)

La Rose (from Les Indes galantes, Rondeau pour les fleurs)

 

Concert with intermission. Expected end of the concert 22.00.
In case of bad weather the programme will take place inside Troja Chateau.

Annotation

“While music, which affords me many of my most heart-felt pleasures, is my field and plough, I have recently become attached to another suitor – the love of flowers.” So said George Philipp Telemann in 1742, revealing one of his greatest passions in life, known practically throughout Europe. For his pleasure his friend Georg Friedrich Händel would even sent him the most beautiful flowers and bulbs from all over England, which did not, however, prevent Telemann from growing his own kind of peony...

 

Even from his garden, the German giant drew inspiration that still touches the hearts of the listeners, as it arises from the earth and ascends to heaven. Collegium Marianum with Jana Semerádová will complement his music with musical buds from Jean-Féry Rebel and Michel Blavet. Will they be able to cheer up the faces of the stone Titans on the steps of Troja chateau?

Venue

Troja Château

U Trojského zámku 1, Prague 7

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Partners of the concert

In collaboration with Prague City Gallery.

Artists

Collegium Marianum

Collegium Marianum

music ensemble

Since it was founded in 1997, the Prague ensemble Collegium Marianum has focused on presenting the music of the seventeenth and eighteenth centuries, especially by composers who were born or active in central Europe. One of the few professional ensembles specializing in this field in the Czech Republic, Collegium Marianum not only gives musical performances, but regularly also stages scenic projects.

 

The ensemble works under the artistic leadership of the traverso player Jana Semerádová who also regularly appears as a soloist with some of the eminent European orchestras. Her active research together with her study of Baroque gesture, declamation and dance, has enabled Semerádová to broaden the profile of the Collegium Marianum ensemble and present multi-genre projects featuring Baroque dance and theater. Her unique, thematic programming has resulted in a number of modern-day premieres of historical music presented each year. The ensemble has collaborated with renowned European conductors, soloists, directors, and choreographers such as Andrew Parrott, Hana Blažíková, Damien Guillon, Peter Kooij, Sergio Azzolini, François Fernandez, Simona Houda-Šaturová, Benjamin Lazar, Jean-Denis Monory, and Gudrun Skamletz.

 

Collegium Marianum has received critical acclaim both at home and abroad. The ensemble has appeared extensively on the Czech Radio and TV as well as on the radio abroad. It regularly performs at music festivals and on prestigious stages both in the Czech Republic and elsewhere in Europe, including Tage Alter Musik Regensburg, Bachfest Leipzig, Potsdam Festspiele, Mitte Europa, Festival de Sablé, Bolzano Festival, Palau Música Barcelona, Pražské jaro, or Concentus Moraviae. In 2008 the ensemble started a successful collaboration with the Supraphon label. Within the “Music from Eighteenth-Century Prague” series it has launched eight recordings.

Jana Semerádová

Jana Semerádová

flauto traverso, artistic leader

Flautist Jana Semerádová is a graduate of the Prague Conservatory, the Faculty of Philosophy, Charles University in Prague, and the Koninklijk Conservatorium in the Hague, the Netherlands. She is also a laureate of the Magdeburg and Munich international competitions.   Jana Semerádová is the artistic director of Collegium Marianum and programming director of the concert cycle Baroque Soirées and the IMF Summer Festivities of Early Music. She undertakes intensive archival research both at home and abroad and is engaged in ongoing study of Baroque gesture, declamation and dance.   Under her direction, Collegium Marianum stages several modern premieres each year. Jana Semerádová has a number of CDs to her name; her recordings with Collegium Marianum are featured as part of the successful series “Music from Eighteenth-Century Prague” on the Supraphon label, for which she has also recorded her two signature CDs “Solo for the King” and “Chaconne for the Princess“.   Jana Semerádová has performed at leading European concert venues and festivals (such as Oude Muziek Utrecht, Musikfestspiele Potsdam Sanssouci, Händel-Festspiele in Halle, the Prague Spring festival), collaborated as a soloist with artists including Magdalena Kožená, Sergio Azzolini, Alfredo Bernardini, or Enrico Onofri, and regularly performs with e.g. Il Suonar Parlante, Wrocławska Orkiestra Barokowa, or Orkiestra Historyczna.   In 2015 she received her habilitation degree as an associate professor of flute from the Faculty of Music and Dance at the Academy of Performing Arts in Prague. In 2019 she was awarded the prize of the Prague Group of the Society for Arts and Sciences.   The Czech Music Academy Awards „Anděl“ in 2020 brought the nomination to Jana Semerádová and Erich Traxler (category Classics) for their CD „Chaconne for the Princess“.
Lenka Torgersen

Lenka Torgersen

baroque violin, concert master

Lenka Torgersen studied violin at the Pilsen Conservatory and subsequently at the Academy of Performing Arts in Prague under Václav Snítil. After graduating she focused intensively on Baroque violin and honed her skills at the Schola Cantorum Basiliensis under Chiara Banchini.   Lenka Torgersen is the concert master of Collegium Marianum. From 1999 to 2012 she was the concert master of Collegium 1704; currently she also works regularly with other Czech and international ensembles including La Cetra Barockorchester Basel, Ensemble 415, Freitagsakademie (Bern), Ensemble Inégal, and others. From 1999 to 2012 she was concert master of Collegium 1704. As a chamber musician and soloist she performs at major European stages and music festivals and also collaborates with various leading figures in early music (e.g. René Jacobs, Andrea Marcon, Jordi Savall, Andrew Parrott).   In 2010 as a soloist with Collegium 1704 she recorded the works of Antonín Reichenauer, for which she received the Diapason d’Or award. In 2013 she recorded a solo CD “Il Violino Boemo” (Supraphon), a modern-day premiere reviving the sonatas of the 18th century Czech violin virtuosi.