Terpsichoré

A Renaissance Masked Ball at the Polish Royal Court,
Ballet and Pantomime Performance for All Generations

Saturday 29. 07. 2023 | 17.00 Vzlet
Holandská 669/1, Prague 10
17.00–20.10
Without intermission

Artists

Monika Polak-Luścińska – costumes
Monika Polak-Luścińska, Maciej Luściński – masks
Dariusz Brojek – light design
 
CRACOVIA DANZA BALLET
Marta Yildiz, Nikoleta Giankaki, Małgorzata Nabrzeska, Ewelina Keller – court ladies
Georgij Andrejczenko, Maxim Berko, Michał Kępka – courtiers
Filip Świeczkowski – the court jester
  
CAPELLA ORNAMENTATA
Richard Šeda – cornetto, recorder
Barbora Mišoňová – cornetto, recorder
Vojtěch Jakl – Baroque violin
Ondřej Sokol – Renaissance trombone
Mélusine de Pas – viola da gamba
Marek Kubát – theorbo, Baroque guitar
Radek Tomášek – percussions

Programme

Michael Praetorius (1571–1621)
Ballet du Roy pour sonner après
La Volte
Bransle double de Poitou
  
Cesare Negri (ca 1535–1604)
La catena d’Amore
  
Fabritio Caroso (ca 1527–1605)
Passo e mezzo
Ardente sole
Dolce amoroso fuoco
  
Thoinot Arbeau (1520–1595)
Pavane d’Espagne
  
Giovanni Giacomo Gastoldi (ca 1554–1609)
Amor vittorioso
  
Jean d’Estree († 1576)
Les Buffons
  
Valentin Haussmann (ca 1565–1614)
Polnischer Tanz
  
Giorgio Mainerio (ca 1535–1582)
Ballo Anglese
  
Adrian Willaert (ca 1490–1562)
Madonna mia famme bon’ offerta
  
Gasparo Zanetti (ca 1600–1660)
Gagliarda detta la Lisfeltina di Santino
 
and others

Annotation

The Polish Queen Bona Sforza, one of the most influential and remarkable rulers of the European Renaissance, could undoubtedly also be called “Terpsichore” (i.e. “delighting in dancing”). It was this ambitious and extremely capable Italian aristocrat who initiated the fashion for masquerades in Poland, ruled over by the frolicsome Muse of Dance.
 
A ballet and pantomime performance by the Polish dance ensemble Cracovia Danza Ballet, with musical accompaniment by the Czech ensemble Capella Ornamentata, will give the audience a glimpse into the milieu of aristocratic entertainments that were an essential part of the political representation of the Polish royal court in the first half of the 16th century. Italian, French, German and Polish dances, rich Renaissance costumes and stylised masks, fantasy, love and court intrigues, the famous jester Stańczyk, and Queen Bona herself... Accept the invitation to the vibrant, sophisticated and colourful carnival of one of the most interesting female aristocrats of the Renaissance!

50 % discount for children aged 7 to 15.
Performance unsuitable for children under 7.

Venue

Vzlet

Holandská 669/1, Prague 10

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Partners of the concert

The performance is held with the kind support of the Polish Institute in Prague.

Artists

Cracovia Danza Ballet

Cracovia Danza Ballet

dance ensemble

The dance company was founded by and works under the direction of the dancer and choreographer Romana Agnel and is the only professional ensemble in Poland focusing on the court-ballet tradition, especially on Baroque dance of Polish origin. Since 2006, the ensemble has been one of the official Cultural Institutions of the City of Cracow. The repertoire of the ensemble draws on period studies and treatises by dance masters and on historical pictorial material.   The ensemble is renowned for its fine choreographies, based on various historical styles and techniques, and also for its elaborate, custom-made costumes whose design pays close attention to detail and authenticity. The Cracovia Danza Ballet participates in many prestigious events, performing on the stages of, among others, the Teatr Wielki (Polish National Opera) in Warsaw; Warszawska Opera Kameralna (the Warsaw Chamber Opera); the Markgräfliches Opernhaus in Bayreuth; as well as with many Polish philharmonic orchestras. The ballet has visited around 30 countries.
Romana Agnel

Romana Agnel

choreography, artistic director

Romana Agnel is the founder and executive and artistic director of the Cracovia Danza Ballet and is also an active dancer, choreographer, dance coach and art historian. She is a graduate of the Ballet School in Cracow and studied the history of art at the Sorbonne in Paris. She is also dedicated to Bharatanatyam Indian classical dance, which she studied in Madras (Chennai) under the guidance of the legendary guru Shrimati M. K. Saroja. She has created choreographies for numerous operas and ballets, staged in Poland and abroad, as well as choreographies for over 20 performances of the Cracovia Danza Ballet. Romana Agnel works with renowned personalities from many different fields. She is a lecturer and a published author on the subject of dance history and has received a great number of awards, among them the Legion of Honour, the highest order of merit awarded by the French government, and the Order of Polonia Restituta.
Capella Ornamentata

Capella Ornamentata

music ensemble

The ensemble, whose name could be translated as “embellished chapel” or “embellished chants”, was founded in 2007 by Richard Šeda, a cornetto player. The ensemble’s main mission is to strive for an authentic interpretation of mostly sacred music of the 16th and 17th centuries and to present lesser-known wind instruments in the Czech Republic, such as the cornetto, sackbut (Renaissance trombone) and dulcian.   The ensemble has made numerous appearances at prestigious domestic and international festivals (Oude Muziek Utrecht, Tage Alter Musik Regensburg, Uckermärkische Musikwochen, Concentus Moraviae, the St. Wenceslas Music Festival, the Summer Festivities of Early Music, the Lednice-Valtice Music Festival and others). Capella Ornamentata also invites foreign musicians to participate in its projects and presents itself on radio and television (Terra Musica, concert recordings).   It has collaborated on two CDs with the Prague vocal ensemble Cappella Mariana under the direction of Vojtěch Semerád. The ensemble’s own discography includes three recordings: “Da Pacem Domine” (2014), “Ad Matrem Venite” (2019) and the most recent: “Jako paprsek slunečního svitu” (Like a gleaming ray of sunshine, 2021).
Richard Šeda

Richard Šeda

artistic director

Richard Šeda graduated in trumpet from the Conservatory in České Budějovice, where he was in the class of Jiří Pelikán. In 2005, he began private studies of the cornetto at several masterclasses in Prague and France with the French cornetto player Judith Pacquier.   Among the many international early music ensembles he has worked with are Concerto Copenhagen, Marini Consort Innsbruck, L’Arpa Festante, Wiener Hofburgkapelle and Clemencic Consort. In the Czech Republic, he collaborates with ensembles such as the Czech Ensemble Baroque, Cappella Mariana, Collegium Marianum, Ensemble Inégal, Collegium 1704 and others.   In 2007, he founded the Capella Ornamentata ensemble, which focuses on music of the 16th and 17th centuries. Capella Ornamentata has three CDs to its name, numerous performances on domestic and international stages and at festivals of early music, and is also presented on radio and television.